At 53, Lydia Lunch shows no signs of smoothing out the edginess that made her one of the powerful forces in late-’70s New York and the No Wave scene. To talk to her is to jump into a fiery whirlwind of creativity, one that whips up everybody else. It makes sense, then, that her upcoming workshop in Ojai — dubbed the Post-Catastrophe Collaborative Ojai Artists’ Workshop by and for Women — is designed to do just that for all the attendees, creating an environment for women, whether veterans of the arts or new recruits, to express their artistic sides. But what is this catastrophe in the title?
“Did you wake up today? Did you watch the news?” Ms. Lunch laughs. “Do I have to itemize things here? It’s easy in California to forget the amount of catastrophe that’s out there. … The weather is terrifying. The 800 military bases that the U.S. has is terrifying. Wars continuing all over the world is terrifying. Man-made economic crisis is terrifying. … I don’t have fear, myself, but maybe that’s because I have so many vehicles to express my concern.”