Selfish Improvement – Only star power saves ‘Multiple Sarcasms’ from dullsville

 Timothy Hutton, left, and Laila Robins share a scene in the mid-life-self-discovery-themed rom-com "Multiple Sarcasms." Jessica Miglio photo

Timothy Hutton, left, and Laila Robins share a scene in the mid-life-self-discovery-themed rom-com “Multiple Sarcasms.”
Jessica Miglio photo

“Multiple Sarcasms” tips its hat early to the kind of film it wants to be when it reveals its protagonist, a depressed architect played by Timothy Hutton, has been going to see the film “Starting Over” several times. That 1979 Burt Reynolds-Jill Clayburgh-Candice Bergen romantic comedy was the kind of mainstream film that, by no means a classic, looks like Ingmar Bergman compared to the rom-coms that Hollywood now squeezes out.

A first feature written and directed by industry veteran Brooks Branch, “Multiple Sarcasms” sounds like a comedy from the title but is a drama interlaced with just enough comic moments to keep it interesting. For a bit.

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Lost in memories in The Lady and the Clarinet

Michael Cristofer’s play “The Lady and the Clarinet” is less a straightforward romantic comedy and more like a mysterious chocolate candy. The outside is sweet, but the inside is bitter the more you chew — and by the end you’re not sure if the outside was really chocolate to start with.

Mr. Cristofer earned a Pulitzer Prize for his earlier play, 1977’s “The Shadow Box.”

“The Lady and the Clarinet” dates from 1984, and was at one point an off-Broadway hit for Stockard Channing. Director Maggie Mixsell has resurrected the play and brought it to Santa Barbara City College’s Jurkowitz Theater for a three-week run, where it becomes a star vehicle for its leading lady, Katie Thatcher.

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