Out of the Box Productions

In 2013 the Circle Bar B Dinner Theatre presented Oscar Wilde's "The Importance of Being Earnest." Circle Bar B Theatre photo — In 2013 the Circle Bar B Dinner Theatre presented Oscar Wilde’s “The Importance of Being Earnest.”
Circle Bar B Theatre photo

This year’s big story was the end of Ensemble Theater’s run in the cozy Alhecama Theater and its move to the renovated and brand-spankin’-new New Vic, an $11.5 million-dollar adventure that took many years to finally happen and has brought Jonathan Fox’s company to a space on par with the Garvin and Hatlen theaters. With state-of-the-art toys to play with, it’ll be interesting to see what Director Jonathan Fox does with the space. So far, Santa Barbarans have seen the Stephen Sondheim musical, “A Little Night Music” with Stephanie Zimbalist and Piper Laurie, and it was quite lovely.

Their farewell performances at Alhecama were also worth noting: David Ives’ “The Liar” was one of their funniest productions in a long time, witty and silly in measure. “The Year of Magical Thinking,” with Linda Purl stepping in for the recently deceased Bonnie Franklin in the role of Joan Didion, was the kind of one-woman show for which the Alhecama space was perfect. “Frankie and Johnnie in the Claire de Lune” was a good revival, although maybe not a necessary one.

From left, MikeChen as bandleader,Terry Li as Naomi, Steven Stone as AndrewJackson, Maggie Hill asToula and Connor Gould as male soloist. Out of the Box Theatre photo — From left, MikeChen as bandleader,Terry Li as Naomi, Steven Stone as AndrewJackson, Maggie Hill asToula and Connor Gould as male soloist.
Out of the Box Theatre photo

Samantha Eve and her Out of the Box Productions have a penchant for the outre, blood, and … presidents it seems. Over their short production history, they’ve shot cannons of “blood” into the audience for their Halloween “Evil Dead” musical, and revived Stephen Sondheim’s “Assassins,” his paean to the mentally unbalanced killers and would-be murderers. So this Thursday’s opening of the musical “Bloody Bloody Andrew Jackson,” at the Center Stage Theater, is keeping with tradition.

“I think his legacy is haunted by a lot of blood, death and destruction,” Ms. Eve says. “And he’s a fascinating choice for a musical. Out of all the presidents, to make a punk musical about him? Because if you think about it, so much of that emo, punk craze is with the adolescents. And when Andrew Jackson was president, technically the United States was a teenager, a rebellious state of mind.”

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