MORTAL COILS : SBCC offers a speedy runthrough of a rare Russian play

Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department's production of "The Suicide" by Nikolai Erdman. RICK MOKLER PHOTO
Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department’s production of “The Suicide” by Nikolai Erdman.
RICK MOKLER PHOTO

If there were theater awards for making one’s own professional life difficult, SBCC’s Katie Laris should get some sort of nomination for putting on Nikolai Erdman’s 1928 farce “The Suicide.” When her first choice of a play became unavailable in January, did she look at her schedule and think “let’s fill the small Interim Theater with 18 actors instead, all playing characters with long Russian names?” One wonders.

“The Suicide” is not well-known, even among fans of theater. Banned in its lifetime, resurrected in the 1960s and performed occasionally ever since, Erdman’s play courses the woes of post-revolutionary Russia and a pointed critique of groupthink. It also overflows with a Brueghel-esque cast of characters and/or caricatures. It’s a history piece, no doubt. Is there enough between the lines to sustain a night at the theater?

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Death Wish — Dark, Soviet and comical, ‘The Suicide’ comes to SBCC Theatre

All Semyon Semyonovich wants is a late-night snack of liverwurst. Yes, he’s duly upset when he realizes his career as a concert tuba player can’t start because he can’t afford the piano to tune it. And yes, he’s been unemployed for a year. Somehow, though, his thoughts turn to suicide, and that’s where his real troubles begin.

Nikolai Erdman’s dark farce “The Suicide” has a history as troubled as its protagonist. Written in 1928, the Soviet author’s play ran afoul of authorities over its subject matter (and cracks against Marx), leading to its decades-long ban. Toeing party line, Erdman never again took on such weighty issues, opting instead to write children’s comedies.

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Death Wish — Dark, soviet and comical, ‘The Suicide’ comes to SBCC

All Semyon Semyonovich wants is a late-night snack of liverwurst. Yes, he’s duly upset when he realizes his career as a concert tuba player can’t start because he can’t afford the piano to tune it. And yes, he’s been unemployed for a year. Somehow, though, his thoughts turn to suicide, and that’s where his real troubles begin.

Nikolai Erdman’s dark farce “The Suicide” has a history as troubled as its protagonist. Written in 1928, the Soviet author’s play ran afoul of authorities over its subject matter (and cracks against Marx), leading it to be banned for decades. Towing party line, Erdman never took on such weighty issues again, opting instead to write children’s comedies.

Read More