A Wild West version of “The Taming of the Shrew” has been so popular in recent years (I counted at least five nationwide on a quick Internet search) that it’s nearly deserving of its own sub-genre.
For those who love the play’s rowdy, rough-and-tumble attitude but are a bit queasy over its sexual politics, the lawlessness of the frontier offers a broad canvas and several ideological escape routes. Dress up Katherine as Annie Oakley and you’re already halfway toward a character. And the transitory nature of the West makes all outcomes liable to change without notice, unlike the established Padua of Shakespeare’s original.