That’s a Wrap: SBIFF’s 28th year ends on a high note

Roll up the red carpet and put it in storage. Tear down the crowd barriers, the posters and banners. The 28th annual Santa Barbara International Film Festival ended Sunday night as it began, with a closing night film at the Arlington Theatre and filmmakers walking the carpet. The atmosphere was subdued but elated.

The fest could name some successes this year. The opening film “Disconnect” was so well received – a first – that it received a second screening. The Ben Affleck, Daniel Day Lewis and Jennifer Lawrence tribute evenings all sold out. The Quentin Tarantino night, hastily announced and organized on the day before the opening, nearly sold out too.

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SBIFF: A man of two worlds

 Two-time Oscar winner Daniel Day-Lewis is a Best Actor nominee for his performance in "Lincoln." Below, he speaks with moderator Scott Feinberg of the Hollywood Reporter on Saturday at the Arlington Theatre, before being presented the Santa Barbara International Film Festival's Montecito Award. MIKE ELIASON/NEWS-PRESS PHOTOS

Two-time Oscar winner Daniel Day-Lewis is a Best Actor nominee for his performance in “Lincoln.” Below, he speaks with moderator Scott Feinberg of the Hollywood Reporter on Saturday at the Arlington Theatre, before being presented the Santa Barbara International Film Festival’s Montecito Award.
MIKE ELIASON/NEWS-PRESS PHOTOS

For an actor known for his intensity and physicality, Daniel Day-Lewis seems modest and shy in real life, even when taking time to chat with fans gathered Saturday night outside the Arlington Theatre.

The evening was the long-awaited arrival of the Oscar-winning actor to Santa Barbara and SBIFF’s second tribute, the Montecito Award, in its 28th annual fest.

Introduced by director Michael Mann, who worked with the actors on 1992’s “The Last of the Mohicans,” and presented the award by his “Lincoln” co-star, Sally Field, Mr. Day-Lewis sat down with the Hollywood Reporter’s Scott Feinberg for a career-spanning, introspective interview.

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Film review: Gangs of New York (2002)

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Martin Scorsese recreates the birth of New York City in sprawling epic
By D.M. Terrace, Special to the Voice

In Gangs of New York, Martin Scorsese has taken a blood-and-scandal soaked non-fiction book from 1928 and brought much of it to the screen as the backdrop to a quite simple revenge drama. Or is it the other way around? This is a movie so jam-packed with detail and history (some real, some pastiche) that at all moments it threatens to swamp the characters. Most critics so far — Kenneth Turan, especially — have balked at this elephantine film, calling it interminable and obscure. But I quite liked the excess of it. In its portrait of a city, the film captures the density, confusion, and lawlessness therein. As an adaptation of a book that is really one juicy, violent tale after another, it succeeds largely because it has such a simple story as Hollywood wrapping.
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