Galaxy of dance: HHII Dance Fest promises three days of new and recent work

"Sand Into Glass" is performed by Nebula Dance Lab.
“Sand Into Glass” is performed by Nebula Dance Lab.

It’s spring, the season of dance, and the fields of March are blooming with the human form in beautiful motion. We’ve had aerial dance at the Lobero, shows from Santa Barbara Dance Arts, visits from Hart Pulse and the world famous Joffrey Ballet. It’s time to finish the month with the first installment of our own homegrown dance festival, HHII.

Devyn Duex is the woman behind this three-day festival taking over the Center Stage Theater this whole weekend, and the name HHII is a sly nod to Ms. Duex’s Nebula Dance Lab company: HHII is a star-forming region in the galaxy. “And star-forming – we thought that was perfect.”

Read More

Flamenco Fire: Savannah Fuentes bring La Luna Nueva to Center Stage

Flamenco dancer Savannah Fuentes
Flamenco dancer Savannah Fuentes

This is a tale of two cities, Seattle and Vancouver. In the latter there is a bustling flamenco community, with funding, three schools, and small clubs having shows every week.

The former … not so much. There are no clubs. The main international stars don’t get booked. And this is the city where Savannah Fuentes has hung her shingle to bring flamenco — the dancing, the guitar, the singing — to the populace. After all, she was born in Seattle to a Puerto Rican dad and an Irish mom, and she’s gonna turn the culture around, she swears.

Read More

Dance preview: Do not drop: K. KVARNSTRÖM AND COMPANY BRING ‘FRAGILE’ GOODS TO UCSB

sc_fragile_110703

“The inspiration for this piece came from not really knowing what I wanted to do.”

Choreographer Kenneth Kvarnström is talking on the phone from his San Francisco hotel room about “Fragile,” the hour-long work from 2001 that his dance company is bringing to UCSB Campbell Hall on Wednesday.

“Fragile is how I felt,” he says. Since 1987, the Finnish-born but Stockholm-based Kvarnström has made it his company’s mission to produce one long work per year, and then tour the world with it.

Read More

One Road, Four Choices: William Soleau Brings Multifaceted Seasons to State Street Ballet

Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

–Robert Frost, from “The Road Not Taken”

Choreographer William Soleau has been thinking about destiny and choice a lot this year as he puts the final touches to his four-act work “Seasons,” a world premiere for the opening of State Street Ballet’s tenth season.

“What if I had chosen another college?” Soleau asks, “What if I hadn’t met that one teacher? What if I had not fallen in love with that one girl?

“These ‘what if?’ questions are something everyone can relate to,” he says.

Read More

Edge of the Known World: Dancer Peggy Baker sets out for uncharted territory

“I never expected I would be dancing solo. I expected I would just be dancing with companies. I had no idea that this would grab me by the roots. One project moves me in unexpected directions, and from there the next project arises.”

Dancer, choreographer, and teacher Peggy Baker still expresses amazement at her career and where she now finds herself, despite being someone who has never settled for anything less than what she wants.

She also has never let–and is still not letting–age determine what she can do. At 51, Baker–past member of the Lar Lubovitch Company, original member of the White Oak Project, and now solo performer–is pushing the boundaries and expanding the repertoire for mature dancers. She will be performing as part of the UCSB Dance Department Faculty Concert on October 10.

Read More