A Wealth of Stage Riches – THEATER IN 2013 WAS ALL ABOUT TRANSITIONS

In 2013 the Circle Bar B Dinner Theatre presented Oscar Wilde's "The Importance of Being Earnest." Circle Bar B Theatre photo
In 2013 the Circle Bar B Dinner Theatre presented Oscar Wilde’s “The Importance of Being Earnest.”
Circle Bar B Theatre photo

This year’s big story was the end of Ensemble Theater’s run in the cozy Alhecama Theater and its move to the renovated and brand-spankin’-new New Vic, an $11.5 million-dollar adventure that took many years to finally happen and has brought Jonathan Fox’s company to a space on par with the Garvin and Hatlen theaters. With state-of-the-art toys to play with, it’ll be interesting to see what Director Jonathan Fox does with the space. So far, Santa Barbarans have seen the Stephen Sondheim musical, “A Little Night Music” with Stephanie Zimbalist and Piper Laurie, and it was quite lovely.

Their farewell performances at Alhecama were also worth noting: David Ives’ “The Liar” was one of their funniest productions in a long time, witty and silly in measure. “The Year of Magical Thinking,” with Linda Purl stepping in for the recently deceased Bonnie Franklin in the role of Joan Didion, was the kind of one-woman show for which the Alhecama space was perfect. “Frankie and Johnnie in the Claire de Lune” was a good revival, although maybe not a necessary one.

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Lucky Thirteen – SPEAKING OF STORIES CELEBRATES ALICE MUNRO’S CAREER IN WRITING

Anne Guynn will read "Corrie." Brad Spaulding photos
Anne Guynn will read “Corrie.”
Brad Spaulding photos

In October, the Canadian short-story writer, Alice Munro, now 82-years old, won the Nobel Prize for Literature, becoming the 13th woman to do so. Speaking of Stories, Santa Barbara’s well-loved evening of stage-read shorts, decided to honor the author with an evening celebrating her 13th and most probably last story collection, “Dear Life,” as Ms. Munro has announced plans to retire. The two performances at Center Stage Theater this Sunday afternoon and Monday evening consist of three stories taken from Ms. Munro’s latest, read by three of SoS’ regulars.

Alice Munro’s work has appeared frequently throughout Speaking of Stories’ history. Executive Director Maggie Mixsell put on her story, “The Bear Goes over the Mountain,” — a tale about Alzheimer’s — after it had been made into the movie, “Away from Her,” for a film-tie-in-based evening. Ms. Munro is better known to the reading crowd, however, not the film crowd, as not many of her stories have been adapted for screen.

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Out of the Box Gets Bloody with ‘Carrie’ Musical

Julia Kupiec as Carrie White in the musical, "Carrie." Peter Bertling photo
Julia Kupiec as Carrie White in the musical, “Carrie.”
Peter Bertling photo

While a new version of the blood-soaked prom queen, “Carrie” blows up the box office this Halloween season, Out of the Box Theatre Company has brought their own production of Stephen King’s classic horror tale to the stage. Yet, “Carrie: The Musical” is not new. Instead, it’s a story of growing pains.

A dozen years after Brian De Palma’s film, the Royal Shakespeare Company workshopped a musical version, but it was beset by tech problems, and the 1988 Broadway production closed after five performances. It was the definition of a flop. Or so everyone thought. Remade as an off-Broadway musical without the special effects and with fewer characters, the revivals began to happen, first illegally, with companies performing without the rights. Then a proper, 2012 revival occurred with new songs from the writers. “Carrie” had risen from the grave.

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War Is Hell, Reading Is Better – SPEAKING OF STORIES AND THE PUBLIC LIBRARY TEAM UP FOR A SPECIAL EVENING

 Dan Gunther,"Speaking-of"regular,will read the title story,"The Things They Carried." Brad Spaulding photos

Dan Gunther,”Speaking-of”regular,will read the title story,”The Things They Carried.”
Brad Spaulding photos

When Tim O’Brien’s short story collection about Vietnam “The Things They Carried” appeared in 1990, it was the end of a journey that started with select stories being printed in Esquire and its title work being selected for the 1987 anthology of Best American Short Stories. Another journey started afterwards. It went on to sell more than 2 million copies worldwide; nearly won a Pulitzer; and found its way onto the reading list of high schools across the country. It’s considered one of the best works of Vietnam-war fiction out there. So it was only a matter of time that our Public Library would choose it for their annual “Santa Barbara Reads” program. The surprise is that they have now teamed up with Speaking of Stories to turn some of their stories into a special event this Saturday night and Sunday afternoon.

It wasn’t originally a part of Maggie Mixsell’s “Speaking of” series when they announced this season. But the library reached out to Ms. Mixsell’s business partner, Center Stage Theater’s Teri Ball, and it sounded like a good match. Ms. Mixsell, having put on the series for half of the two-decades-long run, knows a good short story when she reads one.

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BASSH-Dance – NOW ITS OWN ENTITY, BASSH RETURNS FOR THREE NIGHTS OF COMMUNITY DANCE

Ross Barrett photos
Ross Barrett photos

Visitors to the Santa Barbara Dance Alliance website earlier this year might have wondered where its annual celebration of dance — both pro and amateur — had gone. Known and loved as BASSH (ballroom, Argentine tango, salsa, swing, and hip-hop), the event was nowhere to be seen, and the page had not been updated. Well, both SBDA and BASSH have survived, and the two have gone their different ways, amicably.

According to Derrick Curtis, the choreographer and creator of BASSH, the yearly performance, which opens tonight for a two-day, three-show run at Center Stage Theater, had to continue.

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Double the Myth, Double the Fun – Boxtales stages a tale from the Popol Vuh

Isaac Hernandez photos
Isaac Hernandez photos

Boxtales Theatre Company has taken one of the main sections of the Popol Vuh, the scripture of the Quiche Maya people of Central America, and turned it into “The Hero Twins.” The play is in both English and Spanish and contains many features found in other creation myths: a tree of knowledge, a journey into the underworld, a defeat and a triumphant return. But instead of a snake, there’s a talking skull in the tree. And instead of war and battle, there’s a ball game — one of the first mentions of sport in ancient texts. There’s an immaculate conception, achieved in a very peculiar way. The crossovers, echoes, and variations make this perfect for Boxtales: They dive in with their masks on.

This is the first myth-based performance for Boxtales since 2009’s “Om,” a version of the Ramayana. “The Hero Twins” originated during 2011. “We were gearing up for the end of the Mayan calendar,” says cast member Matt Tavianini. He’s referring to the supposed “end of the world” that worrywarts supposed would happen at the finish of 2012. (Note: the world is still here.)

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Girls Whirled – Santa Barbara Dance Arts presents its 15th Configuration Showcase

Rod Tucknott photos
Rod Tucknott photos

Seeing a line of people outside Center Stage Theater, with only a few tickets left, can make a dancer feel “10 feet tall,” says Alana Tillim, artistic director of “Configuration” and co-director of Santa Barbara Dance Arts. This is especially true when the dancers are still middle- and high-schoolers. One week into its two-week run, this 15th year of this dance showcase has been selling out.

“It’s the first year in over a decade that over half the dancers on stage are unknown,” Ms. Tillim says, adding that last year’s seniors have graduated and gone on.

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Their Bloody Valentine – Out of the Box presents a punk rock presidential musical

 From left, MikeChen as bandleader,Terry Li as Naomi, Steven Stone as AndrewJackson, Maggie Hill asToula and Connor Gould as male soloist. Out of the Box Theatre photo

From left, MikeChen as bandleader,Terry Li as Naomi, Steven Stone as AndrewJackson, Maggie Hill asToula and Connor Gould as male soloist.
Out of the Box Theatre photo

Samantha Eve and her Out of the Box Productions have a penchant for the outre, blood, and … presidents it seems. Over their short production history, they’ve shot cannons of “blood” into the audience for their Halloween “Evil Dead” musical, and revived Stephen Sondheim’s “Assassins,” his paean to the mentally unbalanced killers and would-be murderers. So this Thursday’s opening of the musical “Bloody Bloody Andrew Jackson,” at the Center Stage Theater, is keeping with tradition.

“I think his legacy is haunted by a lot of blood, death and destruction,” Ms. Eve says. “And he’s a fascinating choice for a musical. Out of all the presidents, to make a punk musical about him? Because if you think about it, so much of that emo, punk craze is with the adolescents. And when Andrew Jackson was president, technically the United States was a teenager, a rebellious state of mind.”

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A Hilarious Quartet – Speaking of Stories First 2013 show is all Laughs

Sometimes you have to just sit back and laugh. Speaking of Stories does, at least once a year, with its “Nothing But Laughs” evening this Sunday and Monday, which presents four short stories designed to make you ell-oh-ell, as the kids say. Artistic director Maggie Mixsell has curated this show of four comic stories from Somerset Maugham, Kurt Vonnegut, Elizabeth Berg, and Jenny Allen along a very easy criteria.

“I have to at least chuckle,” she says.

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The Death Trip – Center Stage one-woman show elucidates the psychedelic experience

Josie Hyde
Josie Hyde

The Ayahuasca plant, when brewed with several other plants of the psychotria genus, produces a psychedelic trip that rivals the synthetic death’s-door effects of DMT. It’s known as the “vine of death.” In Peruvian ceremonies the act of ingesting it is known as “la purga” because of the all-sluices open purgatorial nature of the experience, sometimes even curing diseases. And for one woman, it has been all these things — it has cured her and expanded her consciousness in equal parts. She brings her tale to Center Stage Theater tonight and Saturday.

In the one-woman show “Wind in a Mirror: Ayahuasca Visions,” Josie Hyde uses storytelling, poetry, music and bizarre, Peter Max-ish animations to bring this story to life. A child of the ’60s and no stranger to LSD and expanding her mind, Ms. Hyde claims the late monologist Spalding Gray as a friend and muse. (“He gave me a lot of encouragement … he called me his female opposite,” she says. “We argued.”)

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