News-Press – Page 63

Showdown in Jutland : Half noir, half Western, all Danish, ‘Terribly Happy’ is a bitter, twisting ode

April 2, 2010May 26, 2015 tedmills Leave a comment

Limitless horizons, flatlands, cowboy hats and lonesome saloons. The icons tell us we should be in the Midwest, but instead, in “Terribly Happy,” the landscape belongs to Jutland, Denmark’s nowhereland of floodplains, bogs and marshes. But what better place to set a thriller that borrows unabashedly from Westerns and film noir?

“Terribly Happy,” a new film by director Henrik Ruben Genz, based on the droll novel by Erling Jepsen, finds among its bogs the ingredients it needs to make an impressive feature that tips its Stetson to a history of 20th-century American film, but stakes out its own territory.

This woman’s work : Patricia Fresen campaigns for the Vatican to accept female priests

March 27, 2010May 14, 2015 tedmills Leave a comment

Patricia Fresen knows what it’s like to wait for change, to watch it happen not overnight but over the course of many tumultuous years. Born in South Africa, Ms. Fresen watched the fall of the apartheid era while she was a member of the Dominicans, the Catholic religious order.

“Once you become aware of injustice in one area of life,” says Ms. Fresen, “you somehow become aware of it in other areas. Having been sensitized to racial injustice, I started becoming aware of gender injustice. It is just as bad.”

Candy Flips and Bunny Hops : With a new release waiting in the wings, Gram Rabbit returns to S.B.

March 26, 2010May 14, 2015 tedmills Leave a comment

“Party in the desert, party in the desert/Everybody wants to party in the desert.”

The chorus of Gram Rabbit’s new single/video “Candy Flip,” full of disco and distorto guitars, says it all about the Joshua Tree-based band. They have the good stuff and they know you want it, that psychedelic nugget, and their domicile is the only place it makes sense. They are the musical equivalent of the opening paragraph of “Fear and Loathing.” But sometimes, they venture outside the Rabbit Ranch and come visiting, which they will this coming Thursday, to SOhO Restaurant and Music Club.

The Study Hall’s Cherry Cheesecake

March 26, 2010May 19, 2015 tedmills Leave a comment

Let’s face it. Choosing “The Study Hall” as a bar name in the center of college students heaven/hell is the height of wit in a block full of d’oh-inspiring shop names. (“The IV Drip” coffee shop! “Naan Stop” Indian take-out!) How comforting knowing that you can tell the old folks at home that you spent all day (and night) at the Study Hall.

Jason Smith has been serving here for seven years. The regulars all call him Smitty. Come here twice and you too will be a regular. As one of the two bars in sizzled and schnookered Isla Vista, The Study Hall has its work cut out for it. How to convince students to drink here, when the liquor store and a Del Playa house offers a cheaper night out?

Hot in Here : The Pin-Down Girls make a sexy return to SOhO

March 26, 2010May 14, 2015 tedmills Leave a comment

A bit contemporary dance, a bit Vegas, a bit hip-hop, a whole lot of attitude and a dash of silliness. You can’t really pin down these Pin-Down Girls, but know this: SOhO loves them and is having the “variety dance troupe” back tonight for another evening of sexy dance routines.

“People like to jump to the conclusion that we’re a burlesque company,” says Devin Fulton, executive artistic director and one of the eight Girls. “And I like to say we’re not. At all.”

All That Jazz. . .and Beyond: Dee Dee Bridgewater proves again she’s the real thing

March 23, 2010May 19, 2015 tedmills Leave a comment

Dee Dee Bridgewater, left and in photo at bottom, and sax/flautist Craig Handy at the Lobero on Friday. DAVE BAZEMORE PHOTOS — Dee Dee Bridgewater, left and in photo at bottom, and sax/flautist Craig Handy at the Lobero on Friday.
DAVE BAZEMORE PHOTOS

“Are there any children in the audience?” asked Dee Dee Bridgewater at the Lobero on Friday night. There weren’t. “I don’t want them to think this is what jazz singers look like.”

Ms. Bridgewater’s joke — after a very naughty and bawdy series of double entendres — spoke a truth about the entire evening. Ms. Bridgewater doesn’t fit many people’s safe or generic idea of a “jazz singer” either. At 59, she’s a singular force, roiling with life.

Mean Streets — ‘Ajami’ a multi-character study of a Tel Aviv community

March 19, 2010May 14, 2015 tedmills Leave a comment

“Be a man. Don’t be a coward.”

These are lines that echo through Scandar Copti and Yaron Shandi’s assured debut feature “Ajami,” which takes a look at the underbelly of the title Israeli town, a religiously mixed community of Muslims, Jews and Christians. Bravado, anger, ego and unworkable ideas of honor conspire against a mix of characters.

When the Enemy is the Good Guy — Henrik Ibsen’s drama (by way of Arthur Miller) ‘An Enemy of the People’ still topical after all these years

March 19, 2010May 14, 2015 tedmills Leave a comment

Short-term profit or long-term gain? Jobs for now or healthy environments for our children? The topics of Henrik Ibsen’s play, “An Enemy of the People,” could come ripped from today’s headlines, as they say. But the ripping already started some 128 years ago, and those headlines were in Norway. In Carey McKinnon’s Valley Community Theatre production, those issues return once again to resonate in the present. The play opens tonight and features a large cast, drawing from the Valley community.

“Enemy of the People” concerns Dr. Thomas Stockmann (Jim Farnum), who becomes concerned when he learns the healing waters of a popular local spa are polluted by runoff from the tanneries. Speaking out means financial ruin for the town, whose mayor is Stockmann’s older brother (Jeff McKinnon, Carey’s husband). The truth, as we find out, will not set Stockmann free. Instead, it will make him the most hated man around. “Enemy” asks how far we would go, and what we would risk, for the sake of the truth.

Arts and ‘Letters’; Four couples, four weekends, one famous play at Ojai

March 19, 2010May 14, 2015 tedmills Leave a comment

The four real couples who are bringing their own unique interpretation to "Love Letters" and the weekend they are doing so are (clockwise from top left): Tracey Williams and Cecil Sutton (March 19-21); Tree Bernstein and Buddy Wilds (March 26-28); Suz Montgomery and John Hankins (April 9-11) and Lynn Van Emmerik and Bill Spellman (April 2-4). — The four real couples who are bringing their own unique interpretation to “Love Letters” and the weekend they are doing so are (clockwise from top left): Tracey Williams and Cecil Sutton (March 19-21); Tree Bernstein and Buddy Wilds (March 26-28); Suz Montgomery and John Hankins (April 9-11) and Lynn Van Emmerik and Bill Spellman (April 2-4).

Like an ideal child’s toy at Christmas, A.R. Gurney’s “Love Letters” requires very little assemblage, has only two movable parts, and has easy-to-follow instructions. This table read through of a couple’s love letters — from childhood mash notes to old-age epistles — has grown from a little bit of theater to a worldwide hit. Its original 1989 production featured a cast that changed weekly, with big name stars (William Hurt, Marsha Mason, et al) taking on the roles. There’s been foreign adaptations — one rewritten in Urdu for Indian culture — and even a performance by Gov. Schwarzenegger and his wife Maria Shriver.

The revolving cast is part of what keeps the play going — and Ojai ACT offers four different versions this month for the price of one. See all four or choose one.

MORTAL COILS : SBCC offers a speedy runthrough of a rare Russian play

March 16, 2010May 14, 2015 tedmills Leave a comment

Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department's production of "The Suicide" by Nikolai Erdman. RICK MOKLER PHOTO — Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department’s production of “The Suicide” by Nikolai Erdman.
RICK MOKLER PHOTO

If there were theater awards for making one’s own professional life difficult, SBCC’s Katie Laris should get some sort of nomination for putting on Nikolai Erdman’s 1928 farce “The Suicide.” When her first choice of a play became unavailable in January, did she look at her schedule and think “let’s fill the small Interim Theater with 18 actors instead, all playing characters with long Russian names?” One wonders.

“The Suicide” is not well-known, even among fans of theater. Banned in its lifetime, resurrected in the 1960s and performed occasionally ever since, Erdman’s play courses the woes of post-revolutionary Russia and a pointed critique of groupthink. It also overflows with a Brueghel-esque cast of characters and/or caricatures. It’s a history piece, no doubt. Is there enough between the lines to sustain a night at the theater?