Vote for Eddie – Irrepressible comedian Eddie Izzard talks about running marathons (and maybe for office)

There is not one wild animal that is not perfectly fit,” says comedian and actor Eddie Izzard, explaining why he decided to keep fit by running. “Not a squirrel, not a mole, not a tiger, not a giraffe with an inch of body fat. I find that interesting. And we are sitting there with domesticated cats and dogs eating endless pies.”

Because I’m talking to the man who once talked about evil giraffes and cats that mine tunnels instead of purring, I expect him to go off on a riff about overweight lions on fad diets. But he doesn’t. He’s making a serious point. For Mr. Izzard, who makes his Santa Barbara debut Saturday night at Campbell Hall, comedy is purely reserved for when he steps onstage.

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Aria Mixtape – Opera Scenes at UCSB offers short and sweet dips into the repertoire

Most operas clock in at anything from 21/2 to 5 hours — especially if you’re Richard Wagner — and take weeks to put on, so how can a stable of eager singers get in their chance for a lead role? Also, how can the opera lover keep up with the evolving world of modern music when so few companies want to take a chance outside the standard canon of works? UCSB Opera Workshop’s “Opera Scenes,” this Saturday and Sunday, answers that need, with nine scenes from both obscure and well-known works.

A success last year, “Opera Scenes” returns for an evening that features selections from Mozart’s “Le Nozze di Figaro” and “Die Zauberflute,” Seymour Barab’s “A Game of Chance,” Smetana’s “The Bartered Bride,” Donizetti’s “La fille du régiment,” Cimarosa’s “Il matrimonio segreto,” Verdi’s “Attila,” Floyd’s “Of Mice and Men,” and Offenbach’s “R.S.V.P.”

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My Brother From Another Mother – Switched-at-birth tale has pretty locations, pretty decent actors

The two boys meet each other Cohen Media photo
The two boys meet each other
Cohen Media photo

As you may have guessed from the title, Lorraine Levy’s “The Other Son” follows a classic trope of “switched-at-birth” but with a cracking good, though portentous political update. Such narratives make us question nature versus nurture, and there’s plenty of that to go around in this drama. The story stumbles here and there, but there’s enough to recommend it.

We know something’s up when Joseph (Jules Sitruk) is turned down in his medical tests for the Israeli army when his blood type doesn’t match his parents, the army general Alon (Pascal Elbe) and his French wife Orith (Emmanuelle Devos). Turns out that being born during heavy shelling during the Gulf War has resulted in a mix up. Joseph is actually the son of a Palestinian family, Said (Khalifa Natour) and Leila (Areen Omari). This obviously comes as a shock to their son, Yacine (Mehdi Dehbi), who has just returned from medical school in Paris with his baccalaureate.

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DRINK OF THE WEEK: Cadiz’s Tipple of gibraltar

Tipple of gibraltar
Tipple of gibraltar

The relatives are gathered, the turkey’s in the oven, and all you really want is a drink. We know how you feel; we’ve been there.

But instead of reaching into your back pocket for your hip flask, why not whip up something much more appropriate for the season? Yes, this involves cranberry and turkey, and has been designed by Sean Sepulveda, formerly of El Cielito, and now of Cadiz, who is set to roll out a brand new cocktail menu soon.

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Precarious Balance – ‘Late Quartet’ has melodrama aplenty, but also a great Walken performance

Christopher Walken has become such a beloved figure in Western culture, with his wild eyes and imitate-able voice — I’m betting that at least one of your friends, or maybe you, dear reader, can do a great Walken impression — that one can forget how he got to this position. So “Late Quartet,” for all its faults, mostly in the script, serves as a good reminder of his acting skills.

Mr. Walken plays Peter Mitchell, cellist for the Fugue Quartet, a tight-knit (and highly strung) ensemble that is celebrating its 25th year. On second violin and viola respectively, we have the husband-wife team of Robert (Phillip Seymour Hoffman) and Juliette (Catherine Keener), and on first violin, and determining the sound of the quartet, there is Daniel (Mark Ivanir), who also instructs Robert and Juliette’s daughter, Alexandra (Imogen Poots).

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The Fading Glow – ‘These Shining Lives’ deals with worker safety

FROM TOP : Madelyn Robinson, left, and Julian Remulla as Catherine & Tom Donohue David Bazemore Photo
FROM TOP :
Madelyn Robinson, left, and Julian Remulla as Catherine & Tom Donohue
David Bazemore Photo

It’s deeply cynical, but the title of Melanie Marnich’s play “These Shining Lives” alludes not just to a small-knit group of factory workers, but also to the radium with which they work. So when one woman arrives home and her husband says she’s radiant and glowing, it’s the literal truth. What these women do becomes the subject of this tough drama, opening tonight at the Performing Arts Theater.

Director Tom Whitaker’s last play was the broad comedy of Moliere’s “Tartuffe.” This time around, he’s going for drama, with a play that attracted him with its strong roles for young female actors.

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Serious Conversations, Serious History – DIJO Productions twofer travels to ancient Rome, 17th-century Amsterdam

Two recent plays on old subjects arrive at Center Stage Theater this weekend, courtesy of DIJO Productions. As he also did earlier this year, director and actor Edward Giron has decided to stage both shows at the same time, using the same cast.

“It’s almost like the world’s smallest repertory company,” says Mr. Giron. “It’s daunting. But it exposes two plays to one to two sets of audiences in a very small time frame.”

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Fleeting Beauty – Opera Santa Barbara brings star power to Puccini’s classic ‘Madame Butterfly’

Kimonos have multiple layers of fabric, but even so, they are light and airy. Or at least they should be. Whoever made one of the kimonos for Opera Santa Barbara’s upcoming production of “Madame Butterfly” didn’t get the memo.

“It’s so heavy! It feels like wearing a futon,” laughs lead soprano Mihoko Kinoshita as we chat about the production. Heavier than any 19th-century outfit, heavier than any armor worn by a Wagnerian goddess — it’s a big costume, but thankfully she has the power to sing past it, a power noted by the London Daily Express and others reviewing her star turn in the lead role of “Madame Butterfly” at the Royal Albert Hall.

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Commitment-Phobia – Mike Birbiglia’s one-man show frets about marriage

Mike Birbiglia stars in a one-hour comedy special Joshua Massre photo
Mike Birbiglia stars in a one-hour comedy special
Joshua Massre photo

We’re causing a lot of break-ups across America!” says writer, comedian and actor Mike Birbiglia on his most recent film, “Sleepwalk with Me.” The film, based on his one-man-show and a spot on “This American Life,” details how Mr. Birbiglia figures out that he’s not ready for marriage to his longsuffering girlfriend, while at the same time beginning his career in stand-up … once he dropped his corny jokes and started to tell the audience about his relationship. The film makes uneasy viewing, as Mr. Birbiglia never flinches — in fact, he indulges — in showing his most weasely, reprehensible behavior. For commitment-phobes, it’s not a date movie, though it’s a funny one.

“Ira Glass and I have heard people have broken up after seeing it,” Mr. Birbiglia says. “And we don’t know how to take that. We don’t want to be the break-uppers, but if the movie affects people then that’s good.”

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Cool, Calm, Collected – Wonderful Warm Documentary on Tony Bennett Thrills

COURTESY PHOTOS
COURTESY PHOTOS

These days, “zen” is often used as shorthand for any guide to a discipline that advocates focus and not sweating the small stuff. But after watching “The Zen of Bennett” (as in famous singer Tony Bennett), the title is by far the most appropriate. Although we see a Buddha statue in the background only once, and although Mr. Bennett never speaks of spirituality in any overt way, he comes across as coolly invested in wisdom and Buddha nature. If only we could be this serene and talented when we hit 86 years old.

In this documentary, produced by Mr. Bennett’s son Danny and directed by Unjoo Moon with a series of dreamy, prismatic images, we follow Mr. Bennett as he travels across the States and over to Italy to record a series of duets with contemporary artists both young and established, from Carrie Underwood to Willie Nelson.

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