Once Upon a Time in China

Dir. Tsui Hark, 1991
Just borrowed a lot of DVDs off Jon, as Mr. Monkeypants is going to Japan for a few months. This is one of them, and this is the first time I’ve actually seen this movie, though I’ve read about it several times. Jet Li made a name for himself as martial arts master/folk hero Wong Fei-Hung, the same character Jackie Chan plays in Drunken Master 1 and 2. Bad guys exist of two levels: the low-down dirty gang, and the Imperialist pig dogs from both Britain and the U.S. (all played, as usual, by strange looking white men with beards). The film concerns itself a little with this uneasy period in Chinese history, when the West was making its presence known, and conning Chinese to come to America to find gold. Kung-fu can’t beat the Western guns, but Wong does well by using an umbrella and other props. Mostly, though, there’s oodles and oodles of absolutely top-darts fightin’, all choreographed by Yuen Woo-Ping, not as much wire-work as I’d thought, and great camera work by Tsui Hark and whoever was cinematographer (the credits list six people). Culminates with a classic fight atop a set of bamboo ladders, ripped off most recently in that Musketeer flick.

Nice DVD, too. The film transfer is crisp, the print looks unworn, and the extras feature brief clips of classic footage featuring the earlier version of Wong Fei-Hung, played by Kwan Tak-Hing (who made something like 70 films as the character, still bustin’ heads way into his 70s). The fighting in these originals look slow and stagey, but the historical factor makes it enjoyable. The DVD also comes with a nice booklet outlining the history of the character and some general kung-fu/Wu-shu facts. I hear there’s a version that’s six minutes longer, and a DVD that has English audio commentary, but this one is fine.

Spiderman Disturbs Graduation

As you may know if you’ve visited Jon’s site recently, the durned fool has upped and graduated from CalArts. And I was there to videotape it all! The best moment I will share with you. CalArts graduations are unlike any other. Being artists, there are no cap’n’gowns, no Pomp ‘n’ Circumstance. There is, however, a lot of weirdness. Take for example the goings on of this fellow right here. I don’t know him, by the way.

Music Animation Machine


Call it synchronicity or two great minds thinking alike, but I was checking out this site by Edward Tufte on the same day that Scott Rosenberg blogged it in Salon. Hmm, maybe it was because my friend Jon Crow had been there before me and then told me about it all. Ahhhh. I see.
Anyway, Edward Tufte is the “Da Vinci of data,” as his press blurb says, a statistician who also thinks long and hard about the graphical representation of data. There’s a lot of depth to the site, place to go explore, and I’m a sucker for graphs.
Perusing the site led me to a link to The Music Animation Machine, created by Stephen Malinowsky. There’s a few videos you can download, a cross between Oskar Fischinger and the Atari 2600. The graphical representation of pitch and time creates patterns that scroll horizontally and can add to a greater understanding of music composition. They’re also great to watch. Highly recommended!

Lost in memories in The Lady and the Clarinet

Michael Cristofer’s play “The Lady and the Clarinet” is less a straightforward romantic comedy and more like a mysterious chocolate candy. The outside is sweet, but the inside is bitter the more you chew — and by the end you’re not sure if the outside was really chocolate to start with.

Mr. Cristofer earned a Pulitzer Prize for his earlier play, 1977’s “The Shadow Box.”

“The Lady and the Clarinet” dates from 1984, and was at one point an off-Broadway hit for Stockard Channing. Director Maggie Mixsell has resurrected the play and brought it to Santa Barbara City College’s Jurkowitz Theater for a three-week run, where it becomes a star vehicle for its leading lady, Katie Thatcher.

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