Two words: Ludivine Sangier. The French Scarlett Johannsen, just with less clothes. Francois Ozon’s 2000 film is based upon an unpublished Fassbinder play, and he’s kept the 1970s German setting and all the funky furniture. A very oddly directed film that shows how you can make one apartment look like a hundred different locations.
And Ludivine is only in the second half of the film, but, well, you’ll understand when you see it.
And Ludivine is only in the second half of the film, but, well, you’ll understand when you see it.
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