Sacred Revolutions: St. Petersburg Choir Brings Rachmaninoff’s Vespers to America

It’s taken conductor Vladislav Chernushenko 25 years to get to the United States to tour. Originally, the group he heads-the St. Petersburg State Academic Capella Choir-was scheduled to make their first American tour back in 1978. “The contract was signed,” he says, “And then it didn’t happen for political reasons.”

The history of the St. Petersburg choir can be charted out along centuries of political reasons, events, and decisions, yet their music has kept its close ties to the spiritual. One of the world’s oldest choirs, the group formed in Moscow in 1479 for the express purpose of accompanying Tsar Ivan III wherever he went, celebrating mass or entertaining. Ivan the Terrible and Peter the Great both sang in choir at certain points. In 1703, the choir sang at the inauguration of St. Petersburg a major event in the choir’s history, and there they remained. In 1837, the great Russian composer Mikhail Glinka became Kapellmeister, and wrote many operatic works expressly for the choir. During the Communist Revolution the choir’s sacred music fell out of favor, but the group continued, under the name the Popular Academic Chorus, and performed works by Shostakovich, Kabalevsky, and Prokofiev. As rules became lax, the sacred crept back in, until the coming of perestroika unleashed the history of sacred Russian composers and work back into the repertoire.

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