SBCC Theater Group – Ted Mills

Jenna Scanlon, right, is one of Santa Barbara's top actors, having performed with several local companies. Leona Paraminski is a star in her home country of Croatia. Ben Crop — Jenna Scanlon, right, is one of Santa Barbara’s top actors, having performed with several local companies. Leona Paraminski is a star in her home country of Croatia.
Ben Crop

In Sarah Ruhl’s plays, the subject matters may change, but one thing stays constant: nothing is what it seems, and even our closest friends and family, in the end, are unknowable. That conceit, with a technological edge, is the focus of “Dead Man’s Cell Phone,” opening tonight at SBCC’s Jurkowitz Theatre. Directed by Katherine Laris, this 2007 play cocks an eyebrow at the faith we put in our online selves, and takes its protagonist on a journey of self-discovery.

Jenna Scanlon, who has risen through the ranks of several local companies and productions to land starring roles, plays Jean, a shy and retiring woman who retrieves an incessantly ringing cell phone from a nearby cafe customer only to discover he’s dead. The corpse is played by another one of Santa Barbara’s top actors, Brian Harwell — also Ms. Scanlon’s boyfriend in real life — so we know that while this character may be dead, he hasn’t begun to have his say.

Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department's production of "The Suicide" by Nikolai Erdman. RICK MOKLER PHOTO — Nova Ropp as Cleopatra and James Stenger as Senya in SBCC Theatre Arts Department’s production of “The Suicide” by Nikolai Erdman.
RICK MOKLER PHOTO

If there were theater awards for making one’s own professional life difficult, SBCC’s Katie Laris should get some sort of nomination for putting on Nikolai Erdman’s 1928 farce “The Suicide.” When her first choice of a play became unavailable in January, did she look at her schedule and think “let’s fill the small Interim Theater with 18 actors instead, all playing characters with long Russian names?” One wonders.

“The Suicide” is not well-known, even among fans of theater. Banned in its lifetime, resurrected in the 1960s and performed occasionally ever since, Erdman’s play courses the woes of post-revolutionary Russia and a pointed critique of groupthink. It also overflows with a Brueghel-esque cast of characters and/or caricatures. It’s a history piece, no doubt. Is there enough between the lines to sustain a night at the theater?

Tag: SBCC Theater Group

The Theatre Group at SBCC picks up ‘Dead Man’s Cell Phone’

MORTAL COILS : SBCC offers a speedy runthrough of a rare Russian play