If you want to complete the play title “Over the River and Through the Woods” with “. . . to grandmother’s house we go,” well, you’ll be partly correct. In Joe DiPietro’s 2008 comedy, this is not a young boy but a beloved – and also grownup – grandson who is visiting, and all four of his grandparents are on hand. Our hapless hero Nick (played by Enrique A. Bobadilla) wants to move across the country when he is promoted at work. His loving but overbearing grandparents don’t want him going anywhere, and to that end, they have tricked a young single woman, Caitlyn (Jennifer Marco), to come and dine with them as well, hoping that love at first site will convince Nick to change his mind.
“Life isn’t in black and white, but shades of grey,” says director Jordana Lawrence. “That’s what this play brings forth, things that happen within a family or between generations. It’s one perspective versus another in this play.”
On Saturday night, The Young and Brave Foundation, a non-profit that helps children with cancer, will throw a benefit evening at Carpinteria’s Plaza Playhouse Theater, offering both an evening of music and a Santa Barbara/Carpinteria premiere screening of a special surf documentary.
The evening is being put on by Steve and Polly Hoganson, former owners of Zoey’s in Ventura, who have been friends with Timmy Curran for years, having hosted several of his gigs. And so it is Timmy Curran, and his friends, are headlining the concert part of the evening that also hosts a raffle and a photography exhibit, both curated by the retired surfer and musician. Mr. Curran will perform with Jesse Taylor and Jesse Carmichael, his former backing band that went on to become Wildcat! Wildcat! Mr. Curran has two young kids, so he can’t tour like those two can.
Very few people could stand up to Elvis Presley’s manager, Colonel Tom Parker, least of them Elvis himself. But legendary producer Steve Binder did. It’s a story he loves to tell, and it resulted in one of The King’s shining moments, the famous 1968 comeback special. After years of Hollywood movie musical pablum, the Elvis people saw in ’68 was revitalized, dressed in black leather and — in the section of the special that would become its most beloved — sat down with Scotty Moore and D.J. Fontana, his original Sun Records band, and jammed. That section influenced every similar acoustic set from MTV Unplugged onward.
Viewers will get a chance to see that special (with 30 minutes cut from original broadcast) in a screening Saturday night at Carpinteria’s Plaza Playhouse Theater, followed by a Q&A with Mr. Binder himself. This follows Mr. Binder’s previous appearance at the theater, where he screened the other famous show he produced, “The T.A.M.I. Show,” which showcased James Brown, The Rolling Stones and The Supremes. That screening, which was also a fundraiser for the theater, was sold out. No wonder they demanded Mr. Binder return.
That’s how director Bill Waxman sums up the theme to “Brooklyn Boy,” the Donald Margulies play that opens this coming Thursday at Carpinteria’s Plaza Playhouse Theater. In this 2005 play, Eric Weiss (played by DIJO regular Ed Giron) is an author with critical respect but without the money to show for it. That is, until he writes a semi-autobiographical novel and finds himself shooting toward fame, and finds that, after all the time spent waiting for it to happen, he is not prepared.