Fellini Fest brings three film-based plays to Santa Barbara

The cast members of "La La La Strada" are, from top left and clockwise, Erica Flor, James Connolly, Jeff Mills, Dillon Yuhasz, Dana Fox-Ortner, Blythe Foster, Christina McCarthy, Genevieve Anderson. Erin Davison
The cast members of “La La La Strada” are, from top left and clockwise, Erica Flor, James Connolly, Jeff Mills, Dillon Yuhasz, Dana Fox-Ortner, Blythe Foster, Christina McCarthy, Genevieve Anderson.
Erin Davison

Two of the best directors of the 20th century, and one of its most enigmatic actresses: that’s not the line-up of another film festival, but the five-day-long, three-play “FELLINIFEST,” the self-proclaimed “Live Theater for Movie Lovers.” With the Film Festival still in our minds, producer Jeff Mills (no relation to the author) is hoping cinephiles will be attracted to these three new plays at Center Stage Theater.

Mr. Mills has been a Fellini fan since seeing “La Strada” when he was a student at UCSB. “It just floored me. It catches you right from the first scene.” He caught as many films by the director as he could and in 2003 made Fellini the theme of his wedding. Films like the quasi-autobiographical “8?” make even more sense to Mr. Mills now — having been a part of Boxtales for years and starting up Proboscis Theatre, he now has loads of directing and producing under his belt.

Read More

The power of myth Boxtales celebrates 20 years of innovative theater

Twenty years ago in 1994, a 30-year-old Michael Andrews was a successful plumbing contractor with the itch to move on to a completely different place in his life, to follow his passions in the theater world and the music scene. And he managed to do both. His band Area 51 is still playing around town, and the company he helped create, Boxtales, celebrates two decades of bringing the world of myth and storytelling to audiences young and old. Boxtales will do so starting this Thursday with a three-day celebration of its best work.

They’ll return to the Lobero with “Prince Rama & the Monkey King,” “The Odyssey,” “Leyendas de Duende” and “B’rer Rabbit and Other Trickster Tales.” The shows have all the hallmarks that have made Boxtales a success: imaginative masks, great costumes, clever stage design, and original adaptations of classic myths that streamline the sometimes convoluted stories down to their entertaining essence.

Read More

Yee–haw, m’lord: A rawhide Shrew makes merry at Fess Parker’s place

A Wild West version of “The Taming of the Shrew” has been so popular in recent years (I counted at least five nationwide on a quick Internet search) that it’s nearly deserving of its own sub-genre.

For those who love the play’s rowdy, rough-and-tumble attitude but are a bit queasy over its sexual politics, the lawlessness of the frontier offers a broad canvas and several ideological escape routes. Dress up Katherine as Annie Oakley and you’re already halfway toward a character. And the transitory nature of the West makes all outcomes liable to change without notice, unlike the established Padua of Shakespeare’s original.

Read More