A second slice: Ensemble Theatre takes on Sondheim and ‘Sweeney Todd’

 David Studwell and Heather Ayers are two of the actors performing in Ensemble Theatre Company's "Sweeney Todd: The Demon Barber of Fleet Street." David Bazemore photo

David Studwell and Heather Ayers are two of the actors performing in Ensemble Theatre Company’s “Sweeney Todd: The Demon Barber of Fleet Street.”
David Bazemore photo

Last week Santa Barbara audiences sat transfixed by the odd blend of dance and theater that was Adam Barruch’s “Sweeney Todd: The Demon Barber of Fleet Street” at the Lobero Theatre. In the audience watching the performance was Ensemble Theatre’s Jonathan Fox, who just that day was rehearsing his own version of Stephen Sondheim’s bloody and dark musical, set to open this coming Thursday. It was one of those weird coincidences in Santa Barbara theater than happens now and then – like two productions of “Other Desert Cities” in 2015, one at the Rubicon, one at PCPA – despite every company trying for a unique season.

“It’s kind of a funny story,” says Mr. Fox, just before rolling into a story of schedules, contracts, dropping a previous plan, and thinking of returning to the world of Stephen Sondheim. “A Little Night Music” was the first performance at The New Vic. Rick Mokler, some 20 years ago, had put on a production of “Sweeney Todd” at SBCC, but it had never returned to our city.

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The possible dream PCPA alum David Studwell returns to play the lead in ‘Man of La Mancha’

David Studwell as Don Quixote and Julie Garnye as Aldonza in "Man of La Mancha," coming to PCPA's Marian Theatre. Luis Escobar photos
David Studwell as Don Quixote and Julie Garnye as Aldonza in “Man of La Mancha,” coming to PCPA’s Marian Theatre.
Luis Escobar photos

Playing the lead in “Man of La Mancha,” which opens Wednesday at PCPA’s Marian Theatre, requires lead actor David Studwell to do three times the work. He has to play author Miguel de Cervantes, sitting in a jail cell during the Spanish Inquisition, and his creation Don Quixote, who is under the illusion that he is actually a knight of the realm and not an old country squire. That’s a lot to hold together in one’s head.

“The play is as much about Cervantes as it is about Quixote,” Mr. Studwell says.

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