Ensemble Theatre finishes this season with “Venus in Fur,” the David Ives-penned hothouse of a play that joyously blurs the line between actor and role playing, befitting a story that takes as its inspiration the 1870 novel of the same name (minus the plural letter s) by Leopold von Sacher-Masoch. (Yes, that’s where we get the word Masochism.)
After the large cast and inventive sets of “Woyzeck,” Ensemble is seeing out the season with that most modern of set-ups: two people in a room, and a relationship that changes completely over the course of its runtime.
This year’s big story was the end of Ensemble Theater’s run in the cozy Alhecama Theater and its move to the renovated and brand-spankin’-new New Vic, an $11.5 million-dollar adventure that took many years to finally happen and has brought Jonathan Fox’s company to a space on par with the Garvin and Hatlen theaters. With state-of-the-art toys to play with, it’ll be interesting to see what Director Jonathan Fox does with the space. So far, Santa Barbarans have seen the Stephen Sondheim musical, “A Little Night Music” with Stephanie Zimbalist and Piper Laurie, and it was quite lovely.
Their farewell performances at Alhecama were also worth noting: David Ives’ “The Liar” was one of their funniest productions in a long time, witty and silly in measure. “The Year of Magical Thinking,” with Linda Purl stepping in for the recently deceased Bonnie Franklin in the role of Joan Didion, was the kind of one-woman show for which the Alhecama space was perfect. “Frankie and Johnnie in the Claire de Lune” was a good revival, although maybe not a necessary one.