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Death rituals: Adam Barruch Dance brings the blood sacrifice in a striking new Sweeney Todd

From left, Adam Barruch, Jodi McFadden and William D. Popp will open tonight in the Adam Barruch Dance production at the Lobero Theatre. David Bazemore photos
From left, Adam Barruch, Jodi McFadden and William D. Popp will open tonight in the Adam Barruch Dance production at the Lobero Theatre.
David Bazemore photos

Adam Barruch is on to something that might be new in both the world of theater and the world of dance. Mr. Barruch’s adaptation of Stephen Sondheim’s “Sweeney Todd: The Demon Barber of Fleet Street” is not a dance interpretation of the musical. Neither is it Mr. Sondheim’s musical with extra dance numbers. Sitting in on the rehearsals at the Lobero Theatre – Diane Vapnek and her DANCEworks secured the space as a gift for his residency – it’s hard to say what Mr. Barruch’s “Todd” will finally become until tonight’s premiere.

William D. Popp plays Sweeney Todd, yet he’s often working alongside the other dancers singing about himself in the third person. These are concepts, not characters, to be possessed by at will. There’s something primal about it, like Mr. Barruch has gone back to druidic times, thinking more of blood sacrifice, and less dreadful about human meat pies.

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