Spring, 2014 – ★★★★

Backtracked from The Endless to finally watch this other Benson&Moorhead film. (Should they ever leave the film biz, they should open a bespoke tailor shoppe.) Again flaunting genre, they bring together “Before Sunrise” and Zulawski’s “Possession” and come out with a film that acts as a metaphor for falling in love (and commitment) while being just an odd love story. B&M also like to tell similar tales: all three are about a man fleeing after a crisis point and traveling to a new and strange land where their troubles come back in new and interesting shapes. Psychologically, they emerge as different, usually better people, which is why despite the trappings of horror, these aren’t horror films.

This movie could have gone south so many times, but it’s held up by its two sturdy leads, who just live their characters. You will understand why, when the inevitable discovery scene happens, Evan is conflicted and compassionate.

Contains some absolutely beautiful scenes, including that slow-motion walk through the piazza where Evan sees Louise for the first time, it’s so casual it might be verite, but it’s also subtly choreographed. A sublime mix of beauty and horror.

Now having watched all three main B&M films, I feel they are the real freakin’ deal.

Vía Letterboxd – Ted Mills

(Visited 13 times, 1 visits today)

Leave a Reply

Your email address will not be published. Required fields are marked *