Some interesting links 04.29.2018

The Negro Motorist Green Book was once a pre-Civil Rights Era handbook for avoiding racist establishments and entire racist towns. You would think that’s a thing of the past, but you’d be wrong! 

In late 2017, Jan Miles released the The Post Racial Negro Green Book, an unexpected bestseller that catalogs police killings, violence and harassment; businesses that racially profile black customers; and places where white people publicly abuse black people with impunity…

The new book is “a state-by-state archive of 21st century racial bias against African Americans in the United States—from well-known police brutality incidents to everyday harassment. It covers the years 2013 to 2016 and is intended to document and preserve contemporary history on the topic for the sake of review, consideration, discussion, and action.”

Non-Newtonian Fluid is a puzzler for my small brain, but I do like seeing them going thru this press.

Wyatt Cenac has a new humor and news show. My former student (and stand-up comedian) Tim Barnes is the Web Producer!!

Jaron Lanier was one of the original minds behind Virtual Reality. His interview with NYMag is chock full of mea culpas for the mess the Internet has caused. Read the whole thing.

It’s not so much that they’re doing badly, but they have only labor and no capital. Or the way I used to put it is, they have to sing for their supper, for every single meal. It’s making everyone else take on all the risk. It’s like we’re the people running the casino and everybody else takes the risks and we don’t. That’s how it feels to me. It’s not so much that everyone else is doing badly as that they’ve lost economic capital and standing, and momentum and plannability. It’s a subtle difference.

Martín Ramírez Untitled circa 1950s crayon graphite tempera and collage on paper 32 x 60 12 inches 1200x673

Martin Ramirez lived and died in a mental hospital, the “outside art” he left behind is beautiful.

 

There a sure lots of these Vaporwave compilations on the You Tubes. I wouldn’t mind having drinks in a bar where this is playing on a screen.

Scarface’s cover of Public Enemy’s “Black Steel in the Hour of Chaos” is fury and rage updated for the Trump era. Rap is a genre where you never directly just repeat the lyrics verbatim, which is fascinating to me. Despite the classic status of PE’s original track, Scarface adds just enough of Chuck D’s line to give tribute, but then updates it. So why isn’t this done more in other genres? It should be encouraged. The only example (I’m not counting gender switching lyrics, that’s basic) I can think of is David Byrne’s cover of Fiery Furnaces’ “Ex-Guru” where he added a bridge and an extra verse:

I love record label logo design, check this page out

Rso

Peter Serafinowicz interviews Brian Eno:

PS: One last thing I wanted to ask you, which was a thing I promised my daughter that I’d ask you. There’s a piece of music by a Japanese composer and it’s the theme from a game called Animal Crossing. It’s this little simulation of a little village with little anthropomorphic animals. You build up your house, there’s no real kind of goal to it. It’s such a warm game, and I love that she loves this game, but the music makes us want to cry and I just wanted to play it to you to see if you could understandwhy.

BE: Lovely. It’s a very charming piece. I think there’s quite a few interesting things going on there. One is that the instruments are very innocent. They sound young in a sort of wide-eyed way. But there are some changes of mood in the chord changes that introduce doubt of some kind. So it’s as though you’re in this world that presents itself in the first blush as, ‘Ahh lovely, dafodils, daisies and sweetness’. And then it’s like a cloud comes over when some of these changes happen. It reminds me a lot of Fellini.

 

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