Jennifer Aniston has spent a career trying to rise above the tabloids and the paparazzi that have recorded her every move and emotion, calling it “white noise” tonight on the red carpet outside the Arlington Theatre, where she was to be awarded the Santa Barbara International Film Festival’s Montecito Award for her career and her Golden Globe nominated role in the indie drama “Cake,” which only just opened in Santa Barbara.
But the star got a little of both slavish fan treatment and serious consideration tonight at this sold out show. The celebrity photo bank on the red carpet was a noisy, crazed affair, with shoving and elbows among the photographers trying to get a shot of the star. The crowds outside screamed and hollered and got autographs, a group of girls who looked like they were born in the early ’90s sang the theme song to “Friends” in a loop as Ms. Aniston talked to the press. And inside the audience was just as heated and excited, as she sat down with Deadline Hollywood’s Pete Hammond.
The return of Jimmy’s Oriental Gardens, that beloved watering hole, under new owners and the new name of Bob Lovejoy’s Pickle Room is an anomaly. In a world where beloved places vanish or are bought out and torn down, never to return, the case of this bar on Canon Perdido is a cause for celebration, and Casey McGarry’s documentary does right by it.
The 30-something director, who made the documentary in between funding for a longer, even-more personal documentary, remembers the Chinese food from the kitchen half of the establishment as a kid, but was too young to really know where the fun was. But after a chance encounter with Bob Lovejoy, he quickly caught up and knew a story needed to be told.
The Santa Barbara International Film Festival brings Hollywood to our own backyard, but what about the filmmakers who are already here? The festival has long given our writers and directors their own sidebar to show off the many documentaries and fiction films produced here. Some come out of the many production courses available here, others from small production studios and others just have to make films by any means possible.
For the first time this year, SBIFF offers a prize for Best Santa Barbara Feature, and all the contestants are documentaries.
MCA’s annual Call for Entries intends to be a query on the state of art, 2015, in the tri-county area, a chance to honor a series of artists both new and experienced who are catching that special something in their nets and pushing art forward. There’s a lot of do-it-yourself in the show that’s been dubbed “Out of the Great Wide Open.” There are artists who want their art to be crowdsourced by the crowd, or to be manipulated, built and torn down. But not all in this show are tweaking the audience’s reaction so directly. Others in this exhibition that opened Saturday (and runs through March 29) still present canvases, but are pushing representation and non-representational art into new realms. There’s plenty to explore, and much excitement to be had.
MCA SB wants attendees to know that the exhibition’s artists come from places far and wide and have devoted a back wall in the museum’s educational area to their locations. (It’s a pretty cool map of the Central Coast — check it!). There’s space for the northerner Nick Wilkinson, who works in Los Osos and Erik ReeL, who lives in Ventura, and everybody else in between.
Actor Eddie Redmayne revealed himself to be as much in awe of Hollywood and the movie-making machine as his fans are in awe of him.
At the Santa Barbara International Film Festival’s Cinema Vanguard Award event Thursday at the Arlington Theatre, where he and his co-star Felicity Jones, from “The Theory of Everything,” were honored for their Oscar-nominated performances, the star talked about his first big Tinseltown experience.
For this 30th year of the Santa Barbara International Film Festival,Tuesday is the new Thursday Moved up two days and extended by one, the 12-day festival looked the same as in years past.
The Arlington Theatre was filled with film lovers and the smell of popcorn.
The streets outside bustled with fans hoping to glimpse a celebrity while searchlights raked the skies, now clear of the storm clouds of the day before.
The stars of the opening night film had come in from places due east, whether that was New York or Europe, or even a little more inland down in Los Angeles. And the consensus was: What a lovely place to have a film festival.
The 30th annual Santa Barbara International Film Festival opens tonight for 12 days of celebrities; world premiere films; popular panels on writing, producing and directing; and much more. In a show of its expanding success, the festival now starts two days earlier and ends nearly a week later on a Saturday, a change after many years.
SBIFF as usual has a bevy of Oscar contenders ready to be honored and walk the red carpet, events that cause Santa Barbarans to flood the street outside the Arlington Theatre for a chance to see Hollywood’s best. Honored this year are Steve Carell, Jennifer Aniston, Eddie Redmayne, Felicity Jones, Ethan Hawke, Patricia Arquette, the Cousteau family, Michael Keaton and a selection of breakthrough actors in the festival’s Virtuosos Award evening.
Starting positions, everyone! The 12th annual 10-10-10 Student Competition kicked off yesterday at a press conference at the Canary Hotel, a day before the 12-day Santa Barbara International Film Festival begins. High school and college students get the span of the festival to shoot and edit a film to be screened on the final day of the film fest, with cash prizes and summer workshop scholarships going to the winners.
This year the competition has brought on a new sponsor, Relativity Education, part of Relativity Media, which is also hosting tonight’s opening film, “Desert Dancer.” According to programmer Mickey Duzdevich, the media company runs a summer workshop for film students and was seeking to partner with a film festival nationwide that ran a similar competition. The sponsorship may continue through the following years with the possibility of equipment loans during the week.
When Eddie Redmayne picks up the phone, he’s got handlers waiting outside, already prepared to take him to rehearsal. He’s had a full morning. On this particular Thursday, Oscar nominations have been announced and his portrayal of astrophysicist and all-around genius Stephen Hawking has earned him a Best Actor nomination and his co-star Felicity Jones, who plays Mr. Hawking’s wife Jane, a Best Actress nomination.
“I was in Los Angeles and asleep and I was woken up with this rapping on the door, and it was my manager at the hotel with a phone with a cacophony of screams from the team of people who have been supporting me for years,” he says. “I went from naught to 100 in the space of three seconds. I’ve been flying on adrenaline ever since.”
The well-loved Wes Anderson film “The Life Aquatic” offered a parody of the ocean-bound family— the patriarch with his zeal for the open sea, and a family following in his footsteps, some with enthusiasm, some begrudgingly— and it worked so well because a generation knew the love-object of its satire, the Cousteau family. The real Cousteau family, now in its third generation (or fourth if you count their children), has wavered a bit from their grandfather Jacques’ mission, but they have never stopped putting the earth and the oceans first.
And so on Wednesday night, the Santa Barbara International Film Festival honors father Jean-Michel, along with son Fabien and daughter Céline for the many documentaries, non-profits and awareness they have brought while carrying on the family name. The Richard Attenborough Award, which the festival has not awarded for five years, will feature an evening of interviews and screenings.